Simon Amiel appears suddenly on the Tunisian scene around 1930 although he must have been a known entity before he started recording. Unfortunately, precious few details can be gleaned from formal and informal archives alike. Despite that fact, we can connect a few dots. Amiel, for example, like so many of the musicians of the era, was cosmopolitan in his repertoire. Throughout the 1930s, he recorded Tunisian popular and traditional music, songs mixed in Arabic and French, and Egyptian pieces for labels like Polyphon, Pathé, and Columbia. Mine cahlat landar, recorded for Polyphon c. 1934, which starts with a beautiful vocal improvisation (“ya layl”) and then moves on to piano by Messaoud Habib, was typical of how Amiel could make the music of his preferred composers Maurice Benaïs and Maurice Attoun move. By the late 1940s, Amiel began recording exclusively with Pathé, where he was backed by Salim Halali’s orchestra. In independent Tunisia (post-1956), he seemed to have recorded at least one disc for the En Nour label. While the year of his birth remains a mystery, one estimate puts his death in or around 1966.
Title: Mine Cahlat Landar
Artist: Simon Amiel
Issue Number: 45.681
Matrix Number: 1071 WPP and 1072 WPP
Date of Pressing: c. 1934